For over 30 years we have sought out the finest audio equipment in the world to bring the thrill and magic of music home. We are proud to offer these industry-leading brands through our network of dealers.
Import and Distribution of the World Finest Audio Gear
We listen critically far and wide to find the best equipment for musical reproduction available. Innovative designs push the envelope, in an unending journey to ever greater sonic perfection.
Consultation to Match Needs with System
Every listening environment is unique, requiring an artful blend of components to draw out the magic. From amps to power cables to room treatments, we'll help you discover what you've been missing.
Custom Installation, from Home to Studio
Gear alone is only half the story: the system-room interface is just as important, requiring expertise that separates the merely good from the truly great. We'll visit you on-site and won't leave until everything is singing.
Over 30 Years of Experience
We're not Amazon or Walmart; our audio credentials and pedigree run deep. As the industry and technologies have evolved, we've kept right at the cutting edge, keeping the flame of true Music burning for many thousands of listeners.
This is a note to thank you for you and your Team’s great support over the years.
With your most recent help, TonalityTools Studios in Phoenix has been able to significantly upgrade one of our key rooms used for mastering and mixing.
The Harbeth speakers (40.2’s) have worked out incredibly well. We were able to install them into our smallish room with complete success. They present near perfect frequency response and overall sonics. The bottom end is right on the money. These are speakers that can work in virtually any size room, large or small.
The Harbeths have moved our music productions to a whole new level of quality. And, they also have speed up our work flow due to their accuracy.
We have a great deal of experience using monitoring loudspeakers from a number of pro-sound & pro-studio manufacturers. We don’t know how Harbeth does it. Somehow the 40.2s express all the transient response and dynamics we know are on the master recordings and they sound like when we recorded the instruments and vocals; like real music. You just don’t get that with other monitors, which tend to make music sound the same in many respects: Lots of “wow” but not really how the music truly sounds.